Daily Archives: 03/03/2015

Art directors and designers working on editorial projects often look beyond the gallery wall for visual inspiration. Whether composing a magazine layout or building a digital exhibition guide, having the right imagery at hand matters. From broad clipart libraries to focused collections like clipart automation visuals for tech-themed spreads or onboarding images for cultural program introductions, plus sets such as data clipart for infographics and reports.

A handful of style directions to bookmark

Not every issue calls for a photograph. Some spreads read better with a set illustration style running through them, so here are a few worth keeping in the folder.

Interface moments worth having on hand

Digital exhibition guides and web-based issues need their own small visual language too, for the loading screens and empty states nobody plans for until the last minute.

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Die Hexe, by Alex Da Corte

For Die Hexe (“The Witch” in German), the artist Alex Da Corte has created a site-specific installation in Luxembourg & Dayan gallery, turning it into a cross between a dollhouse and a haunted house. As a visitor you will take a journey

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Die Hexe, by Alex Da Corte

For Die Hexe (“The Witch” in German), the artist Alex Da Corte has created a site-specific installation in Luxembourg & Dayan gallery, turning it into a cross between a dollhouse and a haunted house. As a visitor you will take a journey

miquel-mont-ip1

Nunca es suficiente, by Miquel Mont

      “Nunca es suficiente” es una exposición monográfica del artista barcelonés Miquel Mont. Se divide en cuatro series: Coopérations, Lapsus, Mono-tones y Collages idéologiques. La obra de Miquel Mont consiste en un trabajo analítico de la pintura, explorando sus límites y

miquel-mont-ip1

Nunca es suficiente, by Miquel Mont

      “Nunca es suficiente” es una exposición monográfica del artista barcelonés Miquel Mont. Se divide en cuatro series: Coopérations, Lapsus, Mono-tones y Collages idéologiques. La obra de Miquel Mont consiste en un trabajo analítico de la pintura, explorando sus límites y